John, that is almost exactly what I’m printing as well. Except for gold.
If you’re asking what curve to use as a starting point for calibrating your negs for the toned kallitypes I used the Master curve in the package that comes within the PiezoDN curves. Then it’ll be better to use the one you created after calibration.
I would think the Van Dyke curve would be closer because the actual process with silver nitrate is much closer than Kallitype and Platinum, but possibly the curves are less the same. Unless someone has a kallitype curve they won’t to share I think I’ll use the master one to start.
Generally, I would just start w/ the Master curve (if not already specified) as this is the least messed with.
One’s individual darkroom/paper/exposing-unit etc throws enough variance into the whole shebang to make starter curves almost useless. I’m working on v3 of PiezoDN that will include some really researched starting density slopes for alt-process families but until then I would calibrate your Kal. process from the master. If this were a different thing (gum for example) I would start with the cyanotype curve which is way less contrasty.
thank you Walker, I’ll be back at this by the end of the month when I’m back from our brother country Uruguay where I’m teaching some few printing workshops and even some of the PiezoDN too.
Best
Pablo